Then I went on tour. When I was on tour, it was thot life. Then I moved in with Casino for a little bit. That was after I met Future. Sleeping in the studio? Nah, in the trap. I was living in there, literally. There's a video of me on YouTube when I was little, when I was in sixth grade, playing the saxophone. Were you in the marching band when you were in school? I was in middle school, ’cause in middle school I was playing for the high school. The whole percussion: bass drum, timpani, quads. I start with the piano.ĭo you play any other instruments besides piano? Alto sax, clarinet, marimba, and xylophone. I'm just now getting out the hood, so sharing my money-ain't that time. I don't like using samples ’cause I don't like sharing my money. What's the process of making a beat for you? Everything original.
So I stole her boyfriend's phone, and I used to make beats on it. I had stole this girl's phone, but then that one broke.
You got your start on Pocketband, right? Pocketband. You've been making beats since the ninth grade. Whatever he don't use, that's what I give to other artists. He usually get most of the beats-that's who I'm signed to. It's your job to go into the studio every day and make music for Freebandz artists? Yeah. Well, it ain't my job. What does it mean to be an in-house producer for Freebandz? I make all them n***as' beats, and more. Make a n***a feel like his trunk's shaking. Sometimes I be behind him with the headphones, making a beat. I don't really like using headphones. I like the studio. He tells me, "Load up that beat," and then we go through beats.Īre you in the room with him when he's doing vocals? I be in and out. When you are working with Future, what is it like? Are you guys in the studio together? I cook up. What can you tell me about the songs that didn't make the album? The motherfuckers hard. But it was just the songs that fit right. I was going to do half the album at first. They took off three, and they left me with seven. But by the time I hit Atlanta, they told me I had 10. Do you remember when the songs that made it to this album were recorded? Well, before I left L.A., I had four songs on the album.
I know you guys have hundreds of songs together. He tried to dap me up, and then I just woke up with my hand out, trying to dap him up. Future, he was trying to dap me up, but I was asleep and I had my hoodie on. I was sitting on the couch, and I was asleep 'cause they was recording some of my beats. We went to 11th Street Studios. I ain't know Future was there, I ain't even know it was Future's session. So what was the path from Casino to actually meeting Future? It was quick.
#ATL JACOB PRODUCER TAG FREE#
How did you meet Casino in the first place? My n***a X, and free my n***a Rell, and Grandsun, we was at the trap and shit, and then we went to the other trap. The producer said he worked on several songs for the album, including “Pablo,” “Keep It Burning” and “Louie Bags.First of all, congratulations on your work on The WIZRD. Jacob said West would upload the songs to the Stem Player, but they weren’t even complete songs. The device, however, allegedly included Boogie Down’s unlicensed record. West sold more than 11,000 stem players within 24 hours of releasing the audio device and amassed about $2 million, Vibe reports. The 45-year-old rapper is accused of sampling KRS-One’s song “South Bronx” for his track “Life Of The Party” without permission. “If he’s banned from Stem Player, then how we get paid?”Īccording to TMZ, West’s Stem Player device is being sued by KRS-One’s Boogie Down Productions. “Everybody was confused like, ‘How we get paid?’ I’m still confused,” Jacob said. Speaking with VladTV on Wednesday, Jacob said he was confused when West decided to release the project on his own Stem Player device instead of digital service providers. Music producer ATL Jacob, who worked on Kanye West’s Donda 2 album in February, says he still hasn’t been paid for his contribution.
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